Year 2003 – East Wing / Room 10 / Wall 1

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Year 2003

East Wing / Room 10 / Wall 1

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The future was bleak - I was broken. But, like Madonna, my outlook on life and my expectations have been transformed, since I invited Jesus into myu heart. I am overwhelmed by God's love. He provides for me through my fantastic Christian husband and Madonna
© Janice Begg
I am a self-taught painter, furniture designer and actor. I mainly paint imaginary landscapes and flowers. This painting was created while listening to Kylie. Painting is a good outlet for my emotions. Electric Storm
© Jason Carnevale
Mary depicted at the moment of birth, scared, deeply lonely in the darkness of the night. Gone is all sentimentality, all false sweetness, all pretense. Here she is as a symbol for all who suffered post-natal depression. Mary
© Angenita Hardy-Teekens
A Day at the Races
© Lynn Carroll
Electroplasm
© Toad
This canvas started as a self portrait, and then I saw this field, that somehow seemed to represent both the losses in my life and my hope for the future, an emotional self portrait. Field of Poppies
© Ben Epstein
Layers is a representation of my inner thoughts & emotions at a time when I was emotionally unstable and afraid. Physically unwell & underweight, but also shows the strong & creative person who I am, and I can stand tall and proud under pressure rega Layers
© Pauline Quinnin
Immediately prior to being diagnosed with bipolar disorder I spent time photographing this found object and it came to symbolise for me the highs, lows, angles and oddities of the episodic condition and of the vividness it brings to all the senses. Found Object Mania One
© Laura Devaney
This work was inspired by a waterfall seen in Wales. Water Fall
© Bernard Vernon
Low Tide in the Harbour
© Sally Waldren
Reflecting on Innocence
© R A Mathieson
My painting attempts to marry visionary and surrealist influences: to form an imagined world. Painted in an intuitive manner. Time and Memoriam
© Robert Euman
Circles
© Anonymous
In Search of The Red House
© Andrew Feltham
The work is an A4 print from the photograph of the original. The original is 90.0 cm x 60.0 cm and painted on plywood. The print is unframed, so is original. Darkside/Lightside
© Alan Moule Junior
Void Ventures
© Miss Sally Sinclair
Waterside
© Donna Maria Sosseh
Underlying theme - fear of technology. A breakthrough in becoming acquainted with computers is symbolized. Background-creeping like a snail. However notice shark's teeth in image. Photogram: Lock & Keys. Keys thrown in the air. The lock becomes the h Snail's Tongue, Photogram
© Anonymous
The Mirror
© Frank Bentley
Self Hanging Portrait
© A Busby
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